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by Yael Ronen and Dimitrij Schaad

translated by Mircea Sorin Rusu

With: Mircea Alexandru Baluta 

Alex Calin

Oana Predescu

Andreea Hristu

Alex Popa

 Matei Arvunescu

directed by Radu Nica

scenography - Theodor Cristian Niculae

stage movement - Florin Fieroiu

video - Andrei Cozlac

music and sound design - Adrian Piciorea

scenography assistant - Sofia Iorga

producer - Camelia Moroianu

technical director - Paula Trifu

(R)Evolution 

a 21st Century Survival Guide

ex_

Marius von Mayenburg

A psychological drama that continues to show you, until the end, the fragility of the human condition.

Directed by: Theodor - Cristian Popescu

Set: Theodor - Cristian Niculae
Costumes: Sabina Reus

Translation: Elise Wilk

Delegate producer: Adina Chiriță

with:

Ana Bianca Popescu

Tudor Istodor

Irina Velcescu

Marius von Mayenburg in conversation with Theodor-Cristian Popescu before the opening. 

with the support of

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SF (SUPER FRAGIL)

Concept, direction, choreography: Andrea Gavriliu

Distribution: Ciprian Chiujdea, Vlad Crudu, Iuliana Danciu, Vlad Furtună, Iulia Lupașcu, Ileana Ursu

Scenography: Theodor Cristian Niculae

Music: Adrian Piciorea

Choreography assistant: Eva Danciu

Lighting design: Cristian Şimon

Lighting design assistant: Nicoleta Ivan

Poster artwork: Asen Dankov

Dialogues: Ileana Ursu

Delegate producer: Camelia Moroianu

Andrei Gîndac

Do you remember how it used to be when you could laugh or cry at the top of your lungs, with your whole mouth, so that your throat erupted like a volcano?! Can you still afford this luxury? Does it still come naturally to you or is it a long-repressed instinct, buried with "stop crying because you're big", "slow down because the world is looking at you"?

- Andrea Gavriliu

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@ excelsior
theatre
bucharest_

 

.23

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COPILUL 
       ACESTA

joël pommerat_

CET ENFANT

.23

directed: Radu Nica 

dramaturgy: Paula Rusu, Anamaria Feraru

scenography: Theodor Niculae

assistant director: Răzvan Enciu

lighting design: Tudor Nicorici

ⓒ Dinu Lazăr

Starting from a number of interviews with the inhabitants of a residential neighborhood in the city of Caen, Joël Pommerat explores in ten short scenes the complex relationships between parents and children. The angles of approach differ from one scene to another, but they have in common the gray area where accomplishments and disappointments, past and future, love and hope meet. Despite the differences in age, emotional baggage or social background, the characters that populate this gray area and the situations in which we find them expose the fragility of the "basic cell of society".

unatc @ the comedy theatre bucharest

CRIMINAL GENIUS

CRIMINAL GENIUS

_george f. walker

unatc @ comedy theatre bucharest

translation: Cristina Toma, Theodor Cristian Popescu

directed: Theodor Cristian Popescu
scenography: Sabina Reus & Theodor Cristian Niculae
assistant director: Adrian Rîmboacă

ⓒ Dinu Lazăr

In the plays of George F. Walker, the critics detect echoes of Ionescu and Beckett, under the thick layer of a type of low humor as if straight from B-movies. The characters that seem to interest Walker the most are the losers, the people without any chance, those fallen to near the lowest limit of humanity.

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SEASIDE STORIES, a sequence of stories with different characters, with lightning encounters, short intense moments cut out of life, perhaps from those we have all experienced, with our feet full of sand, with wrinkled skin on which the sun has dried the sea water , with the senses constantly perceiving, beyond the happenings, in the background, the lapping of the waves, the mirror of the water with its never-the-same hues, the horizon line, the stillness of the deep, the salty taste of the air, the smell of rotting algae and shells, the repetitive music of the terraces, the garish colors of beach toys.
The common substratum of the stories is that feeling of the seaside vacation, which is shared, although not always aware, by those who live near it, and those who return here year after year or at least from time to time.
And in all of them is the Sea, like a mythological character that fills all the stories with its meaning.
Seaside Stories make us remember our own pasts, long forgotten, and understand what keeps us or brings us back here.

SEASIDE STORIES

by Marius Chivu, Lavinica Mitu, Dan Alexe, Simona Goșu, Tudor Ganea, Nicoleta Dabija


Direction, script, sound universe: Radu Afrim


Scenography: Theodor Cristian Niculae


Assistant director: Mara Oprea


Lighting design: Cristian Niculescu


Video: Andrei Dermengiu, Marian

Adochiţei, Radu Afrim


Scenography assistant: Paula Rusu


Editing: Andrei Dermengiu


Make-up artist: Arina Cocoș

_constanța state theatre

Die bitteren Tränen der Petra von Kant

Starting from the text written by filmmaker Rainer Werner Fassbinder and translated by Victor Scoradeț, the show tells the story of Petra von Kant, a woman with a successful career as a fashion designer, but who, in terms of love, faces dramatic situations that leave their mark on her destiny, revealing vulnerabilities and hidden sides of her personality. In the show "The Bitter Tears of Petra von Kant", the director Radu Nica approaches the story from a new artistic perspective, in which the text and the music are constituted as different and complementary plans that intertwine with the stage movement of the actors. In this way, the viewer has access to the story from several perspectives, which gives freedom of interpretation and creates the optimal framework for a diversity of emotional experiences.

Rainer Werner Fassbinder

Directed: Radu Nica

Scenography: Theodor Niculae

Choreography: Ioana Marchidan

Original music: Adrian Piciorea

With: 

Elena Popa, Camelia Paraschiv, Anca Pitaru,

Mădălina Musat, Ioana Alexandrina Costea, Fatma Mohamed

.22

lacrimile amare ale petrei von kant

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@ teatrul andrei mureșanu sfântu gheorghe

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DISPUTA

Pierre de Marivaux

@ teatrul sică alexandrescu brașov

Direction: Diana Păcurar

Set desgin and costumes: Theodor Niculae

Coreography: Selina Colceru

Sound design: Andrei Raicu

With: Anca Florea, Vlad Pavel, Ioana Predescu, Mădălin Mandin, Ioana Bîndac, Vlad Lință / Ion Gâlmă

.22

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the SANDPIT

Michał Walczak

@ unatc bucharest

translation: Sabra Daici

direction: Bianca Oprea

set design: Theodor Niculae

costumes: Maria Constantin

lighting design: Alexandru Agafiței

with: Irina Artenii, Răzvan Mândruță

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.22

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translation: Virgil Teodorescu
adaptation: Mihaela Sîrbu

director: Mihaela Sîrbu
choreography: Andreea Duță
set design: Theodor Niculae
costumes: Ilinca Gavriliță
music: Adrian Piciorea, Pyroblast
lighting design: Bogdan Golumbeanu
poster: Nichita Herăscu

 

with:Tiberius Zavelea / Bogdan Iancu, Eva Cosac / Pamela Iobaji, Maria Moroșan / Cătălina Frunză, Alex Iezdimir, Adriano Panoschi, Vlad Pânzaru, Luca Petreșteanu, Catalina Furnza, Christian Robe, Marius Boboc, Leo Chionac, Bogdan Iancu / Tiberius Zavelea

William Shakespeare

ROMEO ± JULIET

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Translation: Liliana Alexandrescu

Direction: Theodor Cristian Popescu

Scenography: Theodor Niculae

Scenography assistance: Ilinca Sabina Gavriliță

Original music: Andrei George Raicu

With: Mihai Marinescu, Alexandru Jitea, Gabriel Răuță, Lucian Ghimiși, Macrina Bârlădeanu

CLOACA

maria goos

.21

@ nottara theatre bucharest

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8 Väter (8 Fathers)

Translation: Ciprian Marinescu
Directed by: Irisz Kovacs
Scenography: Theodor Niculae

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.21

@ constanța state theatre

A teenage girl grows up without a father. Nico goes again and again to the door of the person who fathered her, but never calls - meanwhile her mother remarries, divorces again, gives birth to a sister, she rebels, joins a gang of thugs, goes to America, reads Hermann Hesse, reconciles with her mother, secretly listens to Johnny Cash, grows up. But the bell remains untouched.

Adolescence, with its traumas, viewed playfully, with a sense of humor. A story about the painful loneliness of growing up, what family means, and the legacy of trauma from our parents.

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