


by Székely Csaba
directed by Botond Nagy
scenography - Theodor Cristian Niculae
original music & sound design - Claudiu Urse
light design & video design - Cristian Niculescu
assistant director & cameraman: Andrei Schiopu
MINE FLOWERS
@ teatrul dramatic i.d. sîrbu petroșani
© Andrei Vălean

IVANOV
@ `toma caragiu` theatre ploiesti
`
adapted by David Hare after A. P. Chekhov
directed by Vlad Cristache
scenography - Theodor Cristian Niculae
translated by Silvia Nastasie
lighting design - Ionut Aldea

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test render for ivanov*

by Yael Ronen and Dimitrij Schaad
translated by Mircea Sorin Rusu
With: Mircea Alexandru Baluta
Alex Calin
Oana Predescu
Andreea Hristu
Alex Popa
Matei Arvunescu
directed by Radu Nica
scenography - Theodor Cristian Niculae
stage movement - Florin Fieroiu
video - Andrei Cozlac
music and sound design - Adrian Piciorea
scenography assistant - Sofia Iorga
producer - Camelia Moroianu
technical director - Paula Trifu
(R)Evolution
a 21st Century Survival Guide @ excelsior theatre bucharest





ex_
Marius von Mayenburg
A psychological drama that continues to show you, until the end, the fragility of the human condition.
Directed by: Theodor - Cristian Popescu
Set: Theodor - Cristian Niculae
Costumes: Sabina Reus
Translation: Elise Wilk
Delegate producer: Adina Chiriță


with:
Ana Bianca Popescu
Tudor Istodor
Irina Velcescu
Marius von Mayenburg in conversation with Theodor-Cristian Popescu before the opening.
with the support of





SF (SUPER FRAGIL)
Concept, direction, choreography: Andrea Gavriliu
Distribution: Ciprian Chiujdea, Vlad Crudu, Iuliana Danciu, Vlad Furtună, Iulia Lupașcu, Ileana Ursu
Scenography: Theodor Cristian Niculae
Music: Adrian Piciorea
Choreography assistant: Eva Danciu
Lighting design: Cristian Şimon
Lighting design assistant: Nicoleta Ivan
Poster artwork: Asen Dankov
Dialogues: Ileana Ursu
Delegate producer: Camelia Moroianu
ⓒ Andrei Gîndac
Do you remember how it used to be when you could laugh or cry at the top of your lungs, with your whole mouth, so that your throat erupted like a volcano?! Can you still afford this luxury? Does it still come naturally to you or is it a long-repressed instinct, buried with "stop crying because you're big", "slow down because the world is looking at you"?
- Andrea Gavriliu
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@ excelsior
theatre
bucharest_
.23


COPILUL
ACESTA
.23
directed: Radu Nica
dramaturgy: Paula Rusu, Anamaria Feraru
scenography: Theodor Niculae
assistant director: Răzvan Enciu
lighting design: Tudor Nicorici
ⓒ Dinu Lazăr
joël pommerat_
CET ENFANT
Starting from a number of interviews with the inhabitants of a residential neighborhood in the city of Caen, Joël Pommerat explores in ten short scenes the complex relationships between parents and children. The angles of approach differ from one scene to another, but they have in common the gray area where accomplishments and disappointments, past and future, love and hope meet. Despite the differences in age, emotional baggage or social background, the characters that populate this gray area and the situations in which we find them expose the fragility of the "basic cell of society".
unatc @ the comedy theatre bucharest
CRIMINAL GENIUS
CRIMINAL GENIUS
_george f. walker
unatc @ comedy theatre bucharest

translation: Cristina Toma, Theodor Cristian Popescu
directed: Theodor Cristian Popescu
scenography: Sabina Reus & Theodor Cristian Niculae
assistant director: Adrian Rîmboacă
ⓒ Dinu Lazăr
In the plays of George F. Walker, the critics detect echoes of Ionescu and Beckett, under the thick layer of a type of low humor as if straight from B-movies. The characters that seem to interest Walker the most are the losers, the people without any chance, those fallen to near the lowest limit of humanity.



SEASIDE STORIES, a sequence of stories with different characters, with lightning encounters, short intense moments cut out of life, perhaps from those we have all experienced, with our feet full of sand, with wrinkled skin on which the sun has dried the sea water , with the senses constantly perceiving, beyond the happenings, in the background, the lapping of the waves, the mirror of the water with its never-the-same hues, the horizon line, the stillness of the deep, the salty taste of the air, the smell of rotting algae and shells, the repetitive music of the terraces, the garish colors of beach toys.
The common substratum of the stories is that feeling of the seaside vacation, which is shared, although not always aware, by those who live near it, and those who return here year after year or at least from time to time.
And in all of them is the Sea, like a mythological character that fills all the stories with its meaning.
Seaside Stories make us remember our own pasts, long forgotten, and understand what keeps us or brings us back here.
SEASIDE STORIES
by Marius Chivu, Lavinica Mitu, Dan Alexe, Simona Goșu, Tudor Ganea, Nicoleta Dabija
Direction, script, sound universe: Radu Afrim
Scenography: Theodor Cristian Niculae
Assistant director: Mara Oprea
Lighting design: Cristian Niculescu
Video: Andrei Dermengiu, Marian
Adochiţei, Radu Afrim
Scenography assistant: Paula Rusu
Editing: Andrei Dermengiu
Make-up artist: Arina Cocoș
_constanța state theatre





Die bitteren Tränen der Petra von Kant
Starting from the text written by filmmaker Rainer Werner Fassbinder and translated by Victor Scoradeț, the show tells the story of Petra von Kant, a woman with a successful career as a fashion designer, but who, in terms of love, faces dramatic situations that leave their mark on her destiny, revealing vulnerabilities and hidden sides of her personality. In the show "The Bitter Tears of Petra von Kant", the director Radu Nica approaches the story from a new artistic perspective, in which the text and the music are constituted as different and complementary plans that intertwine with the stage movement of the actors. In this way, the viewer has access to the story from several perspectives, which gives freedom of interpretation and creates the optimal framework for a diversity of emotional experiences.
Rainer Werner Fassbinder
Directed: Radu Nica
Scenography: Theodor Niculae
Choreography: Ioana Marchidan
Original music: Adrian Piciorea
With:
Elena Popa, Camelia Paraschiv, Anca Pitaru,
Mădălina Musat, Ioana Alexandrina Costea, Fatma Mohamed
.22
lacrimile amare ale petrei von kant








@ teatrul andrei mureșanu sfântu gheorghe


DISPUTA
Pierre de Marivaux
@ teatrul sică alexandrescu brașov
Direction: Diana Păcurar
Set desgin and costumes: Theodor Niculae
Coreography: Selina Colceru
Sound design: Andrei Raicu
With: Anca Florea, Vlad Pavel, Ioana Predescu, Mădălin Mandin, Ioana Bîndac, Vlad Lință / Ion Gâlmă




.22







the SANDPIT
Michał Walczak
@ unatc bucharest
translation: Sabra Daici
direction: Bianca Oprea
set design: Theodor Niculae
costumes: Maria Constantin
lighting design: Alexandru Agafiței
with: Irina Artenii, Răzvan Mândruță



.22



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translation: Virgil Teodorescu
adaptation: Mihaela Sîrbu
director: Mihaela Sîrbu
choreography: Andreea Duță
set design: Theodor Niculae
costumes: Ilinca Gavriliță
music: Adrian Piciorea, Pyroblast
lighting design: Bogdan Golumbeanu
poster: Nichita Herăscu
with:Tiberius Zavelea / Bogdan Iancu, Eva Cosac / Pamela Iobaji, Maria Moroșan / Cătălina Frunză, Alex Iezdimir, Adriano Panoschi, Vlad Pânzaru, Luca Petreșteanu, Catalina Furnza, Christian Robe, Marius Boboc, Leo Chionac, Bogdan Iancu / Tiberius Zavelea
William Shakespeare
ROMEO ± JULIET


Translation: Liliana Alexandrescu
Direction: Theodor Cristian Popescu
Scenography: Theodor Niculae
Scenography assistance: Ilinca Sabina Gavriliță
Original music: Andrei George Raicu
With: Mihai Marinescu, Alexandru Jitea, Gabriel Răuță, Lucian Ghimiși, Macrina Bârlădeanu
CLOACA
maria goos
.21
@ nottara theatre bucharest



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8 Väter (8 Fathers)
Translation: Ciprian Marinescu
Directed by: Irisz Kovacs
Scenography: Theodor Niculae



.21
@ constanța state theatre













A teenage girl grows up without a father. Nico goes again and again to the door of the person who fathered her, but never calls - meanwhile her mother remarries, divorces again, gives birth to a sister, she rebels, joins a gang of thugs, goes to America, reads Hermann Hesse, reconciles with her mother, secretly listens to Johnny Cash, grows up. But the bell remains untouched.
Adolescence, with its traumas, viewed playfully, with a sense of humor. A story about the painful loneliness of growing up, what family means, and the legacy of trauma from our parents.
